Label: Corpus Hermeticum – Hermes024/025/026
Format:
3 x CD, Album, Reissue, Remastered
Box Set
Country: New Zealand
Released: 1997
Genre: Electronic
Style: Leftfield, Experimental, Ambient
Section One
Unit One
1-1 The Cross Fade (The Turning Point To A Cross Fade In A Carpark) 12:29
1-2 The Outcast (Rejection Enforcement Takes Hold) 3:24
1-3 The Rut (The Point Of Recall Is No Longer The Grasp Of Stability As A Result Direction Can Never Be The Same) 7:05
Unit Two
1-4 Restraint (Point One) 2:01
1-5 Recess (Point Two) 3:52
1-6 Release (Point Three) (Myself Beyond The Point As A Real Person In Three Points) 2:15
1-7 Self-Separation Through Dislocation (State One) 6:34
1-8 Self-Separation Through Dislocation (State Two) 3:38
1-9 Release Of Dislocation (State Three) (Absent Forms Without Any Resentment) 1:02
1-10 Release Of Dislocation (Through Desperation) (State Four) (One Road Leads To Another But Never At The Same Forseeable Way; The Carpark Is A Lie, The Formation Of The Release Is A Catch) 3:30
Unit Three
1-11 The Turning Point (The Cycle Continues In One Direction) 4:43
1-12 Towards The Centre (Out Across Both Ways Before Or After There Is No Difference) 2:01
1-13 Birth Of Fade Out (At 6Am On A Sunday Morning) 3:41
1-14 Remission Of Self-Separation Through Dislocation 1:51
1-15 Seclusion (Outlook One) 1:45
1-16 Reclusion (Outlook Two) (From The Walls Of Seclusion) 2:07
1-17 Reference Outside (Outlook Three) 3:31
1-18 1st Divider (In The State Of Three Doors The Bridging Of One Throught Direction Is To Remain Yet To Another; To Each Former Outlook, The Perspective Becomes Even More Abstracted Beyond Any Internal Level) 2:59
Section Two
Unit Four
2-1 The State Of Change (Hallway To The Kitchen) 3:02
2-2 2Nd Divider (The Divider Of The Hall Outside The Foundations Of The Kitchen) 2:01
2-3 8.30Pm (On A Saturday Night The Kitchen Aids Remission In The Short Fall Into The Realm Of Obscurity, Well Before Any Outside Interference) 3:18
2-4 The 1st Self-Less Reflection 5:34
2-5 9.26Pm (Re-Birth Of Self Within The Lifeform Of The Kitchen, Forgetting All Past Experienced Cycles) 2:29
2-6 The 2nd Self-Less Reflection 6:34
Unit Five
2-7 Resectioned From Despair (Lost At The Opening From A Location Without Breathing) 3:29
2-8 The 3rd Self-Less Reflection (The Breathing Of One Extension Now Closes In On Itself, Beyond That Is Nothing) 5:22
2-9 End-Dip (Mind Odyssey/State One) (Lost Of Any Relation To A Degree Of State, The Flow Moves Onwards) 5:10
2-10 The Act (Mind Odyssey/State Two) (Sub-Movement Towards The Re-Enactment Until A Point Of Unrecognisable Sickness Overrides And The Premonition Breaks Down As Before Into A Mass Of Unresolved Emotions) 8:48
Section Three
Unit Six
3-1 Odyssey To Fade Out (Mind Odyssey/State Three) (Standing From The Back Of A Carpark To The Drop Out Of All Life; The Systems Of Compulsion, One Move Sucks To Another, The Self Of Formations As To Point One's Self In One Major Direction. It Is A Move To Total Inner Selfless Insight; The Meaningless Flow Of Movement No One Vehicle Can Be Contained As A Factor To The End Drive Of A Carpark. If Any Need Exists Than It Is A Need That Is Compounded. This Passage Can No Longer Be Sustained. Disillusioned By A Growing Emptiness That Invalidates All Past Reference. The Reconnection Now Becomes Impossible To A Point Of Moving In Or Straightening Out Now Becomes A Dimension Of The Same Movement.) 23:09
Unit Seven
3-2 The Fade Out (In The Black State All Direction Is Lost Void To All Extensions Inside The Four Walls Of Selfless Contradiction, Closing Down All Aspects Of Drive To A Point Of Decimation. There Nothing Remains As Relevant.) 10:43
3-3 Gun-Down (Objective Aggression With The Aid Of A Rifle. The Taking Out Of All Meaning, The Breaking Of All Self Control.) 5:57
3-4 Sub-Fadeback (The Loss Of Control Now Takes Over; The Beginning Of The Present Out-State Cannot Continue Onward. There Will Be Only Decay.) 6:12
Unit Eight
3-5 The Lost State (Entropy/Descent Back To The Carpark, As An Intervention To Dissolution. The Beginning Of The Lost State Throughout One Long Transgression To Another; There Was No Real Different From One To The Other.) 12:24
Appendix (Absolution)
3-6 Egress (Towards Retraction Of All Points) 4:06
3-7 The Final Call (Resectioned Towards The Drive To Cross Fade, Before Absorption.) 6:10
Made By – PMI
Artwork [Text And Graphic Reassembly] – Nick Cain
Remastered By [Digital Remastering] – Bruce Russell
Recorded from July 1993 to April 1994 on a Fostex four-track.
All field recordings were made on a Marantz CP-430 portable cassette recorder, except Unit Four, track 3, which was recorded on a National RQ-501S mono reel-to-reel.
Remastered for CD release in August 1997, Christchurch.
Originally released as a double C90 in 1994.
Includes 3 folded inserts, plus printed inner sleeves for each disc.
Edition of 700 copies.
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